Monday, January 18, 2010

Patriotism (1966)

aka Yukoku (Japan)
Written and Directed by Yukio Mishima

Unrated

"Patriotism", Yukio Mishima's short film from 1960's Japan is the dismal account of the honorable suicide of a Japanese army lieutenant and his wife in the aftermath of a failed military coup. The lieutenant, played by Mishima himself, is a perfect patriot, relinquishing his life and the life of his pretty young wife to avoid killing his co-conspirators in the failed coup. The young couple share a last night of sexual intimacy before carrying out their suicide pact.

Aside from being a remarkable political film, quite outlandish in concept and execution for a film made in Japan at this time, "Patriotism" is also a sort of an artistic rehearsal for writer/actor/director Yukio Mishima's actual seppuku in November, 1970. Much like the lieutenant in "Patriotism", Mishima was part of a resistance movement protesting political changes in power. He gave a speech on the balcony of the Tokyo headquarters of the Eastern Command of Japan's Self-Defense Forces, and when it failed to inspire a return of power to the emperor, Mishima commited ritual seppuku. In addition to "Patriotism", Mishima had several other films, poems and works of fiction dedicated to the subject of honorable suicide at the time of his actual seppuku.

Mishima's suicide was indirectly responsible for the film retaining such sharp visual clarity in spite of its age. After his death, his widow ordered all copies of the film destroyed. She felt no need to relive her husband's suicide again and again, and kept only one copy of the film sealed in an air-tight tea container. For several decades, the film lingered mostly as a myth, kept alive by copies of copies passed around Arthouse Film circles. Upon Mishima's widow's death in 2005, the mint-condition print of the film was unearthed. Criterion wasted no time wrapping up this gem and packaging it for mass consumption. The Criterion package includes the new, gorgeous transfer of the film, interviews with surviving crew members, and a thin book that contains Mishima's original short story.

I am a big fan of Criterion's bonus features. Whenever appropriate, they include the literary basis for the film in the film's packaging. For "Patriotism" Criterion included the entire text of the original short story. I cannot understate this enough: "Patriotism" the short story is WAY harder to read than the movie is to watch. Watching Yukio Mishima realistically play-act suicide is not as bad as having the experience described in the first person. While the movie is very visceral, it is softened and given meaning by soft classical music and tender cinematography. The short story is brutal and unflinching. I had to take breaks from reading it to let my stomach settle, and I'm the kind of guy who watches films like "Cannibal Holocaust" regularly. It's easily as intense as anything Chuck Palahniuk has written, and predates his nihilist stylings by 30-40 years. If you get this movie, you owe it to yourself to read the short story. It's a unique experience. You can read the text of the short story for free here.

Parts of "Patriotism" will likely not make complete sense to those unversed in Japanese culture. For instance, when the Lieutenant and his wife prepare to commit suicide, they write letters to see that their worldly belongings are distributed as desired to their families and friends. The Lieutenant's wife applies make-up to form her "death mask". Mishima's depiction of suicide is not that of a rash act committed out of despair. It is a ritualistic, calculated decision that requires careful forthought and planning. If you're interested in expanding your cultural horizons, read the short story. The characters actions in the film are explained more fully there.

I gave "Patriotism" a 10/10. It is short but sweet, beautifully shot and edited, and completely different than any film I've seen before or since. Bonus points because Mishima, a fastidious auteur, did almost everything himself. He wrote the short story, adapted it for screen, acted in and directed it, and even wrote out the credits and intertitles in calligraphy in several languages himself. I'm sure if he hadn't taken his own life, he could have gained real international fame as a filmmaker. All in all, "Patriotism" is one of the best Criterion treatments of a classic arthouse film yet. The film, the transfer, the special features and the packaging are all top-notch and make "Patriotism" a worthy addition to any DVD library.














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